• Book Cover: Peggy & Balmer. Two Journalists at the Edge of History, by Tom Radford. Black-and-white vintage photographs of a 1900's era man and woman sit on either side of a warm-toned painting of the North Saskatchewan river, showing Fort Edmonton. The painting is "Fort Edmonton" by artist Paul Kane.

Peggy & Balmer: Two Journalists at the Edge of History

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9781774391068 | 2024 November | 304 Pages

ABOUT THIS BOOK

“Alberta is a puzzle, born in hope and anger,” William Thorsell writes in the introduction to this stunning new book by filmmaker and writer Tom Radford. Following the lives of his grandparents Peggy and Balmer Watt, Radford tells the story of two journalists who arrive in Edmonton the first day of the province’s life, September 1, 1905, as Prime Minister Wilfrid Laurier announces Alberta as the great hope for “Canada’s Century” that lies ahead. But Albertans already have a contrary vision in mind, a government strong enough to challenge the constitution that binds them. Peggy and Balmer find themselves in the midst of a conflagration that will last a century — their marriage falls apart, their newspapers go bankrupt, and Alberta veers towards the
extremist politics of today.

Balmer defends the freedom of the press and helps win the first Pulitzer awarded outside the United States. Peggy chronicles her own story, “A Woman in the West.” Seen from our time, the lives of these two remarkable journalists introduce the angels and devils of Alberta history — the siren call of a Last Best West that once again jeopardizes Canada’s future.

“Tom Radford is a trailblazer in western Canada.”
— Order of Canada citation

“Tom Radford has a story to tell and he rolls it out panoramically across the breadth of landscape and history that is that other Alberta – parkland and boreal and riverine – its communities, politics and visions that have uniquely shaped it. Radford is a passionate surveyor of it all. Peggy & Balmer is seamlessly structured to weave in and out of Radford’s narrative of a remarkable if rocky marriage and its setting of Social Gospel and prairie populism, oil and gas booms and busts and oozing bitumen, striking Galician workers and strike-breakers, wars and offstage revolutions; weaving in and out of Tom’s 1950s childhood in Edmonton when he absorbed his grandparents’ legacy along the great trench of the North Saskatchewan River and in the books, maps and scrapbooks of their library; and finally in and out of his own work and values sprung from a profound sense of rootedness in place.”
— Myrna Kostash, Kobzar award-winning author of Ghosts in a Photograph